Marlon Brando — "The camera is a lie. It's a machine that distorts reality."
The camera is a lie. It's a machine that distorts reality.
The camera is a lie. It's a machine that distorts reality.
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"Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore."
"Hey, you wanna hear my philosophy of life? Do it to him before he does it to you."
"Never confuse the size of your paycheck with the size of your talent."
"I don't like to be in public. I like to be in private."
"Acting is a bum's life. You're always waiting, waiting, waiting."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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