Stanley Kubrick — "I don’t think anyone should ever be bored."
I don’t think anyone should ever be bored.
I don’t think anyone should ever be bored.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I've always been fascinated by the dark side of human nature. I think it's important to explore that, to understand it, even if it's uncomfortable."
"There's something in the human personality which resents things that are clear, and conversely, something which is attracted to things that are vague, mysterious, or even a little opaque."
"You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it."
"I've got a peculiar weakness for criminals and artists. Neither takes life as it is. Any tragic story has to be in conflict with things as they are."
"You have not yet learned that in this life you have to be like everyone else: the perfect mediocrity--no better, no worse. Individuality is a monster and it must be strangled in its cradle to make our…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Your cart is empty