Stanley Kubrick — "You can't make a movie for the critics. You have to make it for yourself and hop…"
You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it.
You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it.
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"I think that the human race is capable of great things, but it's also capable of great evil."
"I think that the greatest works of art are the ones that are the most ambiguous, that can be interpreted in many different ways."
"The greatest education in the world is watching the masters at work."
"The great problem with people is that they don't know what they want."
"The truth of a thing is in the feeling of it, not in the thinking of it."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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