Marlon Brando — "I don't think I'm a hero. I think I'm a survivor."
I don't think I'm a hero. I think I'm a survivor.
I don't think I'm a hero. I think I'm a survivor.
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"I don't think I'm a genius. I think I'm a worker."
"Most of the people in Hollywood are insane."
"I don't like to be judged. I think it's unfair."
"I don't like to be complacent. I think it's dangerous."
"Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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