Stanley Kubrick — "I have always been interested in the question of how to be human."
I have always been interested in the question of how to be human.
I have always been interested in the question of how to be human.
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"It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen."
"You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it."
"I like to think of myself as a storyteller. That's what I am, essentially."
"I've never been interested in making films that are easy to understand. I want to make films that challenge people, that make them think."
"I don't believe in God, but I believe in something bigger than ourselves. Call it the universe, call it nature, call it whatever you want, but there's something out there that's beyond our comprehensi…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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