Stanley Kubrick — "I'm not interested in making films that are purely entertainment. I want to make…"
I'm not interested in making films that are purely entertainment. I want to make films that make people think.
I'm not interested in making films that are purely entertainment. I want to make films that make people think.
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"I think that the most important thing for a filmmaker is to have a strong vision and to stick to it, no matter what."
"The whole idea of being a great artist is to be able to express something that no one else has expressed before."
"I think that man is a very dangerous animal, and that he has a great capacity for evil."
"The most terrifying fact about the universe is not that it is hostile but that it is indifferent; but if we can come to terms with this indifference and accept the challenges of life within the bounda…"
"The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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