Stanley Kubrick — "I'm not interested in making films that are purely entertainment. I want to make…"
I'm not interested in making films that are purely entertainment. I want to make films that make people think.
I'm not interested in making films that are purely entertainment. I want to make films that make people think.
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"The only way to make a good film is to be obsessed."
"I think that the greatest works of art are the ones that are the most ambiguous, that can be interpreted in many different ways."
"I don't think there's any such thing as a happy ending. I think there's just an ending."
"The most powerful thing in the world is an idea whose time has come."
"The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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