Edvard Munch — "I have created my art as a necessity, as an expression of my innermost being."
I have created my art as a necessity, as an expression of my innermost being.
I have created my art as a necessity, as an expression of my innermost being.
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"Man is a part of nature, and his feelings are part of nature."
"My art is an attempt to record the history of my soul."
"My will exceeds my talents."
"No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love."
"Art comes from the inner life of man."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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