Edvard Munch — "Art comes from the inner life of man."
Art comes from the inner life of man.
Art comes from the inner life of man.
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"Nature is not only all that is visible to the eye… it also includes the inner pictures of the soul."
"Disease, insanity, and death were the black angels that guarded my cradle and accompanied me all my life."
"Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it."
"A picture is just like me; the more you try to understand it, the more it hides from you."
"I paint not what I see, but what I feel."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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