Edvard Munch — "—I have kissed a corpse such was that kiss—"
—I have kissed a corpse such was that kiss—
—I have kissed a corpse such was that kiss—
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"A person himself believes that all the other portraits are good likenesses except the one of himself."
"What is art? It is the cry of humanity."
"I paint with my blood and my tears."
"I paint memories, not things."
"The Scream was painted in a time of great emotional turmoil. I was walking along the road at sunset, and the sky turned blood red. I felt an infinite scream pass through nature."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A startling and morbid metaphorical description of a kiss, possibly in a diary entry.
Date: Late 19th Century
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