Edvard Munch — "A person himself believes that all the other portraits are good likenesses excep…"
A person himself believes that all the other portraits are good likenesses except the one of himself.
A person himself believes that all the other portraits are good likenesses except the one of himself.
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"I paint moments, not things."
"I owe my art to suffering."
"My afflictions belong to me and my art - they have become one with me. Without illness and anxiety, I would have been a rudderless ship."
"The Scream' is not a landscape with figures, but a state of mind."
"My will exceeds my talents."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A humorous observation on self-perception and how people view their own likeness in art.
Date: Early 20th Century
InspirationalFound in 1 providers: gemini
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