Claude Monet — "I have painted so many water lilies and I am still not satisfied. I want to pain…"
I have painted so many water lilies and I am still not satisfied. I want to paint them perfectly.
I have painted so many water lilies and I am still not satisfied. I want to paint them perfectly.
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"What I like most of all in London is the fog."
"The fog is so thick that you can't see the end of your nose. It's really too much! I'm completely disheartened."
"I'm still unable to work. I'm afraid I'll never be able to paint again."
"I want to paint the light, and I want to paint the air."
"I'm completely overwhelmed. I can't handle it anymore."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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