Marlon Brando — "I never had a good time in my life. I always had a good time in my head."
I never had a good time in my life. I always had a good time in my head.
I never had a good time in my life. I always had a good time in my head.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I'm not a very happy person. I'm not a very good person. I'm not a very nice person."
"I don't think I'm a genius. I think I'm a worker."
"I'm not a very political person. I just care about people."
"Tim is the greatest actor ever. He pretends he loves me when he wants something to eat."
"I'm tired of the whole thing. I'm tired of Hollywood. I'm tired of the movies. I'm tired of my life."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty