Marlon Brando — "I don't think acting is that important. It's just a way of making a living."
I don't think acting is that important. It's just a way of making a living.
I don't think acting is that important. It's just a way of making a living.
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"Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul."
"I don't like to be told what to do."
"I think the great actors are the ones who are willing to make fools of themselves."
"An actor is at most a poet and at least a traffic cop."
"I've always been attracted to women who are strong and independent."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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