Edvard Munch — "I owe my art to suffering."
I owe my art to suffering.
I owe my art to suffering.
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"My art is rooted in a single reflection: why am I not as others are? Why was there a curse on my cradle? Why did I come into the world without a choice?"
"The greatest art is that which expresses the deepest human emotions."
"I am a child of the night, a child of sorrow and longing."
"To those that labeled his work morose and too unsettling, Munch declared that 'I have tried to understand my life and its significance. I intended to help others do the same about their own lives'."
"Death is the end of everything, but it is also the beginning of something new."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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