Edvard Munch — "I paint moments, not things."
I paint moments, not things.
I paint moments, not things.
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"Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the painti…"
"I have created a new art that will shake the world."
"My art is a diary of my life."
"My afflictions belong to me and my art - they have become one with me. Without illness and anxiety, I would have been a rudderless ship."
"I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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