Edvard Munch — "I painted the picture, and in the colors the rhythm of the music quivers."
I painted the picture, and in the colors the rhythm of the music quivers.
I painted the picture, and in the colors the rhythm of the music quivers.
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"I think I am suited only to paint pictures so I know that I must choose between love—and my work."
"I paint memories, not things."
"The most terrible thing is to feel alone in a crowd."
"I do not paint what I see, but what I saw."
"A person himself believes that all the other portraits are good likenesses except the one of himself."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Describing the synesthetic experience of painting, where colors evoke musical rhythms.
Date: Late 19th - Early 20th Century
Art & CreativityFound in 1 providers: gemini
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