Edvard Munch — "My art is a form of self-portraiture."
My art is a form of self-portraiture.
My art is a form of self-portraiture.
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"Art comes from the inner life of man."
"My art is truly a confession. A voluntary unveiling of my soul."
"When I painted, I was a master. I felt that I dominated him, who dominated me."
"I paint moments, not things."
"Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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