Marlon Brando — "I thank you for not snoring."
I thank you for not snoring.
I thank you for not snoring.
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"I don't want to be a star. I want to be an actor."
"I'm tired of the whole thing. I'm tired of Hollywood. I'm tired of the movies. I'm tired of my life."
"I don't like to talk about my personal life."
"Acting is the expression of a neurotic impulse. It's a bum's life. Quitting acting, that's the sign of maturity."
"I've always been a little bit of a rebel."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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