Marlon Brando — "I don't want to be a star. I want to be an actor."
I don't want to be a star. I want to be an actor.
I don't want to be a star. I want to be an actor.
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"I don't like to be famous. I think it's a burden."
"Privacy is not something that I'm afforded."
"I don't believe in the star system. I believe in ensembles."
"An actor is at most a poet and at least a traffic cop."
"I have to be careful about what I say, because I don't want to offend anybody. But I do."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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