Marlon Brando — "I don't want to be a star. I want to be an actor."
I don't want to be a star. I want to be an actor.
I don't want to be a star. I want to be an actor.
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"We are not actors, we are just people who are paid to be actors."
"I'm not a difficult person. I'm just an individual."
"I don't care about awards. It's all a lot of nonsense."
"I'm not a very nice person. I'm not a very good person."
"Acting is an empty and useless profession."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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