Marlon Brando — "I think that acting is a form of neurosis."
I think that acting is a form of neurosis.
I think that acting is a form of neurosis.
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"I've always been drawn to the underdog."
"The greatest enemy of art is the absence of criticism."
"I'm not a difficult person. I'm just an individual."
"I don't believe in God. I believe in people."
"I was never a sex symbol. I was just a guy who got lucky."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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