Marlon Brando — "I don't believe in God. I believe in people."
I don't believe in God. I believe in people.
I don't believe in God. I believe in people.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money."
"The greatest enemy of creativity is good taste."
"I don't trust anybody. Not even myself."
"My father was a very, very funny man. He was also a very cruel man."
"I hate acting. I hate the whole business."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty