Jeff Koons — "I think that art really is about self-acceptance. It's about being able to accep…"
I think that art really is about self-acceptance. It's about being able to accept oneself and to be able to communicate that to others.
I think that art really is about self-acceptance. It's about being able to accept oneself and to be able to communicate that to others.
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"I want to communicate with a mass audience. I want to communicate with everyone."
"I'm interested in the idea of the commodity. I think that art can be a commodity."
"I want to create art that is so optimistic that it can inspire people."
"I want my work to foster a sense of community and connection."
"I think that art is really about your freedom. And if you're not free, then you're not really making art."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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