Stanley Kubrick — "I think that the greatest works of art are the ones that are the most ambiguous,…"
I think that the greatest works of art are the ones that are the most ambiguous, that can be interpreted in many different ways.
I think that the greatest works of art are the ones that are the most ambiguous, that can be interpreted in many different ways.
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"The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started."
"I don't think there's any such thing as a truly objective film. Every film is a subjective interpretation of reality."
"The whole idea of being a great artist is to be able to express something that no one else has expressed before."
"I think that man is a very dangerous animal, and that he has a great capacity for evil."
"Man isn't a noble savage, he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about anything where his own interests are involved—that about sums it up. I'm intereste…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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