Stanley Kubrick — "The difference between a good film and a bad film is that a good film is never f…"
The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started.
The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started.
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"The greatest trick the devil ever pulled was convincing the world he didn't exist."
"Man isn't a noble savage, he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about anything where his own interests are involved—that about sums it up. I'm intereste…"
"The criminal and the soldier at least have the virtue of being against something or for something in a world where many people have learned to accept a kind of grey nothingness, to strike an unreal se…"
"I'm not interested in making films that are purely entertainment. I want to make films that make people think."
"Good God, no. You don't stop being concerned with man because you recognize his essential absurdities and frailties and pretensions. To me, the only real immorality is that which endangers the species…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Unpublished interview, quoted in 'Stanley Kubrick: A Biography' by John Baxter
Date: 1970s
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