Marlon Brando — "I think the great actors are the ones who are willing to make fools of themselve…"
I think the great actors are the ones who are willing to make fools of themselves.
I think the great actors are the ones who are willing to make fools of themselves.
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"I think that the only way to live is to be true to yourself."
"I don't like to be in the public eye. I prefer to be private."
"I'm a fairly solitary person. I like to be alone a lot."
"I think that the only way to learn is to make mistakes."
"I've always been accused of being a rebel. But I'm not. I'm just an individual."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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