Marlon Brando — "I'm a fairly solitary person. I like to be alone a lot."
I'm a fairly solitary person. I like to be alone a lot.
I'm a fairly solitary person. I like to be alone a lot.
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"I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being."
"I don't trust anybody. Not even myself."
"I think that the only way to learn is to make mistakes."
"If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease."
"I think the great actors are the ones who are willing to make fools of themselves."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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