Jeff Koons — "I want my work to be an embrace of life in its totality."
I want my work to be an embrace of life in its totality.
I want my work to be an embrace of life in its totality.
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"I'm interested in the idea of the universal, and how art can speak to everyone."
"I want my work to encourage self-reflection and introspection."
"I want to challenge perceptions and open minds."
"I think that art should be accessible to everyone, not just a select few."
"I think that art can be a very powerful force for good in the world."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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