Jeff Koons — "I'm not afraid to be provocative. I think that art should challenge people."
I'm not afraid to be provocative. I think that art should challenge people.
I'm not afraid to be provocative. I think that art should challenge people.
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"I want my work to encourage people to think about their place in the world."
"I want to create art that is so profound that it can change perceptions."
"I think that art is about being able to communicate with the largest possible audience."
"I'm interested in the idea of the new, and how art can always be fresh."
"I'm interested in the idea of the sublime, of something that is so beautiful that it's almost overwhelming."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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