Edvard Munch — "I was stretched to the limit—nature was screaming in my blood… After that I gave…"
I was stretched to the limit—nature was screaming in my blood… After that I gave up hope ever of being able to love again.
I was stretched to the limit—nature was screaming in my blood… After that I gave up hope ever of being able to love again.
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"I remained immobile trembling from anguish and I heard bounce through nature an immense infinite scream."
"I walked along the road with two friends – the sun went down – I felt a gust of melancholy – suddenly the sky turned a bloody red. I stopped, leaned against the railing, tired to death – over the blue…"
"My art is rooted in a single reflection: why am I not as others are?"
"I create images from the depths of my soul."
"To those that labeled his work morose and too unsettling, Munch declared that 'I have tried to understand my life and its significance. I intended to help others do the same about their own lives'."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Further elaboration on the intense emotional state during the 'Scream' experience and its lasting impact.
Date: 1892 (diary entry, elaborated later)
InspirationalFound in 1 providers: gemini
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