Stanley Kubrick — "If it can be written, or thought, it can be filmed."
If it can be written, or thought, it can be filmed.
If it can be written, or thought, it can be filmed.
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"The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time."
"I think the key to life is to be able to enjoy the little things."
"The Holocaust was about Jews being killed, but the real story is that six million people were killed for no reason."
"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"I'm not interested in making films that are easy to categorize. I want to make films that defy categorization."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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