Quentin Tarantino — "If you're gonna make a movie, you gotta have a car chase."
If you're gonna make a movie, you gotta have a car chase.
If you're gonna make a movie, you gotta have a car chase.
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"I've always been a big fan of dialogue. I think dialogue is the most important part of a movie."
"I'm a filmmaker. I make movies. That's what I do."
"We don't tell a story. We tell a situation. Most of the movies that you see nowadays... you pretty much know everything you're going to see in the movie by the first 10 or 20 minutes. Now, that's not …"
"I'm a big fan of dialogue. I think it's important."
"I steal from every single movie ever made."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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