Marlon Brando — "If you're successful, acting is about as soft a job as anybody could ever wish f…"
If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease.
If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease.
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"All I want to be is normally insane."
"I think that the most important thing in life is to be passionate."
"I think that the only way to grow is to challenge yourself."
"Acting is the expression of a neurotic impulse. It's a bum's life. Quitting acting, that's the sign of maturity."
"I don't like to be bothered. I like to be left alone."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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