Marlon Brando — "If you're successful, acting is about as soft a job as anybody could ever wish f…"
If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease.
If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease.
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"I don't believe in regret. I think it's a waste of time."
"I'm going to make him an offer he can't refuse."
"I don't like to be constrained. I think it's stifling."
"I'm not a hero. I'm a human being."
"Most of the world is like a mental institution, a big insane asylum."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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