Quentin Tarantino — "I'm a big fan of dialogue. I think it's important."
I'm a big fan of dialogue. I think it's important.
I'm a big fan of dialogue. I think it's important.
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"George Clooney is not a movie star."
"Social critics don't mean a thing to me. It's really easy to ignore them, because I believe in what I'm doing 100%. So any naysayers for the public good can just fuck off."
"I'm a big fan of violence in movies. I think it's fun."
"I actually really try to um have morality not even be an issue at all all right when it comes to my characters. That's so interesting i mean you know I don't want that to have any play whatsoever. i T…"
"To me they're all living inside of this one universe. And it isn't [pointing out the window] out there. Well, it's a little bit out there, and it's also there, too [points at his TV], in the movies, a…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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