Quentin Tarantino — "I'm a big fan of dialogue. I think it's important."
I'm a big fan of dialogue. I think it's important.
I'm a big fan of dialogue. I think it's important.
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"I just want the same rights that a novelist has... you can write a novel about a bastard, but he can be totally interesting."
"I don't like to be told what to do. I like to do what I want to do."
"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
"I'm a big fan of Westerns. I think they're America's greatest art form."
"I'm not a fan of political correctness."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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