Quentin Tarantino — "I'm a big fan of the unexpected. I think it's what keeps an audience engaged."
I'm a big fan of the unexpected. I think it's what keeps an audience engaged.
I'm a big fan of the unexpected. I think it's what keeps an audience engaged.
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"I'd kill a million rats, but I don't necessarily want to kill one in a movie or see one killed in a movie, because I'm not paying to see real death."
"I grew up on exploitation movies. I grew up on kung fu movies. I grew up on spaghetti westerns. I grew up on blaxploitation movies. I grew up on all that stuff. And I love all that stuff."
"I'm a big fan of dialogue. I think it's important."
"I'm a big fan of violence in movies. I think it's fun."
"I'm a big fan of movies that are controversial."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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