Jeff Koons — "I'm interested in the idea of the commodity. I think that art can be a commodity…"
I'm interested in the idea of the commodity. I think that art can be a commodity.
I'm interested in the idea of the commodity. I think that art can be a commodity.
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"I want my work to be a balance between the ideal and the real."
"I think that art is about being able to experience pure emotion."
"I want to create art that is timeless, that will last forever."
"I want my work to offer a moment of reflection and contemplation."
"I want my work to be an embrace of life in its totality."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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