Marlon Brando — "I'm not a very good actor. I'm a very bad actor."
I'm not a very good actor. I'm a very bad actor.
I'm not a very good actor. I'm a very bad actor.
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"My father was a very, very funny man. He was also a very cruel man."
"I don't think I'm a sex symbol. I think I'm a human being."
"Most of the people in Hollywood are insane."
"I don't care about money. I just want to be left alone."
"I watched a snail crawl along the edge of a straight razor. That's my dream. That's my nightmare. Crawling, slithering, along the edge of a straight razor and surviving."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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