Marlon Brando — "I like to disappear. I like to be anonymous."
I like to disappear. I like to be anonymous.
I like to disappear. I like to be anonymous.
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"I'm not interested in being a star. I'm interested in being an actor."
"I don't think there's any such thing as a good guy or a bad guy. There are just people."
"The more sensitive you are, the more you are subject to suffering."
"Privacy is not something that I'm willing to give up for the sake of celebrity."
"Most of the people in Hollywood are insane."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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