Marlon Brando — "I'm not a very nice person. I'm not a very good person."
I'm not a very nice person. I'm not a very good person.
I'm not a very nice person. I'm not a very good person.
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"Acting is an empty and useless profession."
"I don't think I'm a great actor. I think I'm a competent actor."
"You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends."
"I don't like to be complacent. I think it's dangerous."
"I put on an act sometimes, and people think I'm insensitive. Really, it's like a kind of armor because I'm too sensitive. If there are two hundred people in a room and one of them doesn't like me, I'v…"
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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