Claude Monet — "I'm so tired of this life. I wish I could just disappear."
I'm so tired of this life. I wish I could just disappear.
I'm so tired of this life. I wish I could just disappear.
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"Impression – I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic …"
"I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no."
"I am very much upset. I am working very hard, but I am not satisfied with anything."
"I found my eyes fixed on the tragic countenance, mechanically trying to seek the sequence, the degradation of the colours that death had just imposed on the motionless face. Shades of blue, yellow, gr…"
"The more I live, the more I regret how little I know."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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