Edvard Munch — "It is not the subject that is important, but the feeling it evokes."
It is not the subject that is important, but the feeling it evokes.
It is not the subject that is important, but the feeling it evokes.
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"I do not paint what I see, but what I saw."
"What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race."
"I am a wanderer, always searching for something I cannot find."
"Art comes from the inside. When a person is very sad, he can paint a beautiful picture."
"My art is an attempt to record the history of my soul."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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