Edvard Munch — "It is not the subject that is important, but the feeling it evokes."
It is not the subject that is important, but the feeling it evokes.
It is not the subject that is important, but the feeling it evokes.
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"My art is my life, and my life is my art."
"What is art? It is the cry of humanity."
"I was stretched to the limit—nature was screaming in my blood… After that I gave up hope ever of being able to love again."
"Nothing ceases to exist – there is no example of this in nature.. . There is an entire mass of things that cannot rationally explained. There are newborn thoughts that have not yet found form. How foo…"
"My art is truly a confession. A voluntary unveiling of my soul."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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