Edvard Munch — "What I am seeking is not the real and not the unreal but rather the unconscious,…"
What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.
What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.
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"And I would often wake up at night and stare widely into the room: Am I in Hell?"
"The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting."
"My art is rooted in a single reflection: why am I not as others are?"
"My art is truly a confession. A voluntary unveiling of my soul."
"A person himself believes that all the other portraits are good likenesses except the one of himself."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Defining the core objective of his artistic exploration.
Date: Early 20th Century
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