Stanley Kubrick — "It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy…"
It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen.
It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen.
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"The most important thing for any director is to have a good script. If you don't have a good script, you might as well not bother."
"The Holocaust was about Jews being killed, but the real story is that six million people were killed for no reason."
"The future is always a little more complicated than you think."
"I think that the greatest works of art are the ones that are the most ambiguous, that can be interpreted in many different ways."
"The most terrifying thing is to accept that there is no meaning to life, and then to go on and create your own meaning."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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