Marlon Brando — "I've always been a loner."
I've always been a loner.
I've always been a loner.
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"I think that the only way to be happy is to be yourself."
"An actor’s a guy who, if you ain’t talking about him, ain’t listening."
"I don't like to be touched. I don't like to be hugged. I don't like to be kissed."
"I'm not afraid to be alone. I'm afraid to be with people who make me feel alone."
"I don't like to be pushed around by anybody—including the government."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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