Marlon Brando — "I don't trust anybody. Not even myself."
I don't trust anybody. Not even myself.
I don't trust anybody. Not even myself.
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"The most repulsive thing you could ever imagine is the inside of a camel's mouth. That and watching a girl eat octopus or squid."
"My father was a very, very funny man. He was also a very cruel man."
"Would people applaud me if I was a good plumber?"
"I think the great actors are the ones who are willing to make fools of themselves."
"I'm just a simple man trying to make his way in the universe."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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