Claude Monet — "When you go out to paint, try to forget what objects you have before you, a tree…"
When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever.
When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever.
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"The fog is so thick, it's like a dream. I am working, but it is like working in a dream."
"I'm struggling, I'm fighting, I'm working like a madman, but I'm not getting anywhere."
"These landscapes of water and reflection have become an obsession for me. It is beyond my strength as an old man, and yet I want to render what I feel."
"While you philosophically seek the world in and of itself, I simply focus my efforts on a maximum number of appearances, in close correlation with unknown realities."
"I'm having a terrible time with my eyes. I can barely see."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Advice to other painters, emphasizing focus on light and color over form.
Date: Undated, approximate late 19th century
PhilosophicalFound in 1 providers: gemini
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