Claude Monet — "When you go out to paint, try to forget what objects you have before you, a tree…"
When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever.
When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever.
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"I have painted so many water lilies and I am still not satisfied. I want to paint them perfectly."
"England did not care for our paintings."
"The fog is so thick, it's like a dream. I am working, but it is like working in a dream."
"I have such a fear of not being able to finish what I have undertaken."
"Every day I discover more and more beautiful things. It's enough to drive one mad. I have such a desire to do everything, my head is bursting with it."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Advice to other painters, emphasizing focus on light and color over form.
Date: Undated, approximate late 19th century
PhilosophicalFound in 1 providers: gemini
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