Edvard Munch — "The colours scream. They are the scream itself."
The colours scream. They are the scream itself.
The colours scream. They are the scream itself.
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"Could only have been painted by a madman."
"The colors live a remarkable life of their own after they have been applied to the canvas."
"All art, literature, and music must be born in the heart and soul of man."
"I admire how you let your body and my body die in your love—but you must forgive me if I do not feel the heat of this love in myself."
"The human soul is a vast, unfathomable ocean."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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