Edvard Munch — "The colours scream. They are the scream itself."
The colours scream. They are the scream itself.
The colours scream. They are the scream itself.
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"The only way to understand art is to feel it."
"There is a battle that goes on between men and women. Many people call it love."
"The colors live a remarkable life of their own after they have been applied to the canvas."
"I believe in the art that heals."
"An old wise man's soul has taken up residence in my dog."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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