Marlon Brando — "The greatest danger for most of us is not that our aim is too high and we miss i…"
The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.
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More from Marlon Brando
"I don't like to be in public. I like to be in private."
"I've always been drawn to the underdog."
"I've always been a little bit of a rebel."
"Most of the successful people in Hollywood are failures as human beings."
"I think that the only way to be happy is to be yourself."
About Marlon Brando (1924-2004)
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.