Marlon Brando — "When you lie to yourself about yourself, you’re in bad company."
When you lie to yourself about yourself, you’re in bad company.
When you lie to yourself about yourself, you’re in bad company.
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"I'm going to be a plumber. I don't want to be an actor. I don't want to be a movie star. I don't want to be anything. I just want to be myself."
"There are times when I think I'm going to go crazy, and then I realize I'm already there."
"If you're going to be a star, you should have a star's salary. I'm not going to work for nothing."
"I've always been a little bit of a rebel."
"I don't think acting is that important. It's just a way of making a living."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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