Quentin Tarantino — "The minute you put handcuffs on artists because of stuff like that, it's not an …"
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
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"I've always been a big fan of dialogue. I think dialogue is the most important part of a movie."
"My philosophy forever has been it doesn't matter what you're like as long as you're interesting. Interest is everything."
"I've never been interested in making a movie that everybody likes. I'm interested in making movies that I like."
"I don't care if people like my movies or not. I make them for myself."
"I'm not trying to be politically correct. I'm just trying to tell a good story."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Interview with Variety's Todd McCarthy, discussing violence in film.
Date: 1992
PhilosophicalFound in 1 providers: gemini
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