Quentin Tarantino — "The minute you put handcuffs on artists because of stuff like that, it's not an …"
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
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"I'm a big fan of feet. I think feet are very sexy."
"I'm a big fan of practical jokes."
"I don't like to follow rules. I like to break them."
"I didn't force her into the car… She got into the car because she trusted me, she believed me. (Seeing that crash) it was heartbreaking, just horrible… the biggest regret of my life."
"Just because you are a character doesn't mean you have character."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Interview with Variety's Todd McCarthy, discussing violence in film.
Date: 1992
PhilosophicalFound in 1 providers: gemini
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