Quentin Tarantino — "I've always been a big fan of dialogue. I think dialogue is the most important p…"
I've always been a big fan of dialogue. I think dialogue is the most important part of a movie.
I've always been a big fan of dialogue. I think dialogue is the most important part of a movie.
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"I don't like to be serious all the time. I like to have fun."
"I don't like to repeat myself. I like to try new things."
"I don't like to be limited. I like to be free."
"I'm a big fan of spaghetti westerns. I think they're some of the greatest movies ever made."
"I am a writer. That's what I do. It's a writer's job not just to write about himself but to look at the rest of humanity and explore it—other people's way of talking, the phrases they use. And my head…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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